Tag: B. J. Hollars

Welcome back!

I know, I know, it’s Tuesday, not Sunday. Before sharing my experiences at Cirenaica (sarah-neye-kah), I needed some thinking and recovery time. I’m awake now and exploding with thoughts and notes for you.

The intention behind this year-long weekly series, Greyhairs Rising, was to share with anyone – especially retirees – how I reconstituted my artistic career in both writing and painting. I’ve given you a lot of how to get started and stay in the game information. I’ve shared a load of resources to explore. I am now in a state of being with my work that goes beyond the nuts and bolts of how to.

I was ready to take a big leap forward and chose to apply to Cirenaica, knowing full well that I might be overwhelmed and overrun by REAL writers – educated, perceptive, smart, critical thinkers who know how to use their words in writing and speaking, offering up the very best of critique and support for their fellow artists. Truth be told, I didn’t know all of that going in. I wanted to have the experience of being in residency with other writers, in a teaching environment, without letup, but I was also worried.

My apprehensions were about:

  • Living among, young, energetic, creative types
  • Could I keep up?
  • Could I stay awake?
  • Would I have any “senior” issues that would get in the way? (You all know what I mean!)
  • What if I didn’t like the people, place, or any of it?
  • Would anyone care about what I had to say?
  • Would I have anything of value to contribute?

 

Photo credit: Geoff Carter

Photo credit: Geoff Carter

I can say to you happily, that not one of my concerns was an issue. When it came to keeping up with the lively younger folk, I didn’t have to. Eight or nine o’clock in the evenings, when I disappeared, they might ask, “Where’s Maggie?” but somebody would know and say so, “I think she went to bed.” And when I got up at 5:00 a.m., I had the quiet of the space to myself, got the coffee brewing, and went to work writing. It was glorious.

And everyone was good natured and unafraid to expose their work to critique. Each participant submitted 15 to 25 pages of writing for everyone else to read and critique before we met. Each day, about 11:00 a.m., we gathered with our notes and spent a good hour to hour and a half on one writer’s submission. The writer was not allowed to comment while we, one by one, responded to the work. Near the end, Nickolas Butler, our artist in residence at his own house down the road, made summary comments and then took the writer aside for a brief one-on-one. This process is referred to as workshopping.

Workshopping

 I admit to being confused for a day about the use of the word workshop in this context. I understood a workshop as an opportunity to work on a topic – like a class. I understood critique as a separate and more line-by-line approach to providing feedback. The workshopping we were doing was neither. This was whole-hog, educated reader, skilled writer, perspective on:

  1. Favorite sentence
  2. What’s working
  3. What’s not working
  4. Title – yes, no, middle-of-the-road
  5. What’s it about?
  6. Theme

I understand that this process will vary from artist to artist – everyone has their own way of doing things, right? I did find that limiting the comments to these points – especially the first three – and actively listening to what everyone had to say – gave me a deeper appreciation of every single story we were given to read.

Photo credit: Geoff Carter

Photo credit: Geoff Carter

Before the workshopping began, the writer chose a section of their own story to read aloud. I cannot stress enough, the value of reading aloud. Some stories I had no particular feel for, came alive for me when the writer read. The stories took on an entirely different dimension as I listened to others talk about the work. I realized, and I’m hanging my head in shame here, that I read too fast, with too critical and impatient an eye and mind. I need to change.

I could write about this experience for days, but I’ll stop now. Well, before I do, I have to give kudos to the chef, Brent. He went out of his way to accommodate my food allergies and served up some of the most delicious food ever to pass my lips. And BJ Hollars, the coordinator of the event, is a fabulous man.

I encourage you, one and all, to seek out a residency experience if you’re at all able. You’ll thank yourself after a day of recovery!

Photo credit: Justin Patchin

Photo credit: Justin Patchin

A note on Cirenaica

The Chippewa Valley Writers Guild is pleased to partner with Cirenaica for our second year of summer residencies!  Nestled on 43 acres of hills, farmland, and forest near the quaint village of Fall Creek, Wisconsin, our residencies promise participants of all levels and genres an intensive yet rejuvenating experience amidst an inspiring backdrop.

See you back here next Sunday (or some day during the week). Would you like to keep up with the Greyhairs Rising community? Sign up for the latest updates.

Share This:

Week 30. Cirenaica with Nickolas Butler

This week I will be in residency at Cirenaica, outside of Eau Claire, WI, with author Nickolas Butler and ten other fiction writers. This will be my first residency experience. I’m grateful to have been accepted. I’m eager to work and critique among other writers, off by ourselves in the wilds of Wisconsin farmland – eating, drinking, sleeping, talking, and working fiction.

Nickolas Butler, credit: Chippewa Valley Writer's Guild

Nickolas Butler. Photo credit: Chippewa Valley Writer’s Guild

Before I go much further, I have to thank the Cirenaica Residency Coordinator and author, B. J. Hollars, for his accommodating nature. It is a fact, friends, that we retirees have likely developed certain lifestyle sensitivities and limitations. We don’t want to stop ourselves from enjoying the most that life has to offer but face it, some of our choices may be relegated to the senior menu. B. J. – who I originally thought through email exchanges was a woman in her mid-fifties – is a bright and friendly young man who would do well in the hospitality industry. As my mother used to advise me, artists must always have a real skill to fall back on.

B. J. Hollars Photo credit: B. J. Hollars

B. J. Hollars Photo credit: B. J. Hollars

Listen to his podcast and be charmed. And listen to Nickolas Butler read from “Shotgun Lovesongs,” within the stunning review by Janet Maslin March of the New York Times.

I didn’t know that artist residencies were “a thing” when I stepped into my retirement career as a writer. Some people, I understand, spend their retirement jumping from cruise ship to cruise ship, or house sitting for professors on sabbatical in college towns. Others, writer and artist others, can be mapped across residencies – coast to coast – in country villages to western-ranging dude ranches.

Some residencies are in-house, pay-your-way workshops, offering teaching opportunities from an established artist. Some will invite you to stay as the artist in residency and provide a small stipend for expenses. All will feed you and house you and teach you in a pod of artists, charging the air you breathe with creative fire.

Length of stay varies. Do your research. Apply liberally.

A note on Cirenaica

The Chippewa Valley Writers Guild is pleased to partner with Cirenaica for our second year of summer residencies!  Nestled on 43 acres of hills, farmland, and forest near the quaint village of Fall Creek, Wisconsin, our residencies promise participants of all levels and genres an intensive yet rejuvenating experience amidst an inspiring backdrop.

Next week’s topic: Probably a review of the Nickolas Butler’s Theory and Practice of Fiction Residency

See you back here next Sunday (or some day during the week). Would you like to keep up with the Greyhairs Rising community? Sign up for the latest updates.

 

 

Share This: